{"id":1212,"date":"2008-03-07T17:11:05","date_gmt":"2008-03-07T15:11:05","guid":{"rendered":""},"modified":"-0001-11-30T00:00:00","modified_gmt":"-0001-11-29T22:00:00","slug":"post_name","status":"publish","type":"post","link":"https:\/\/www.elenacabrera.com\/weblog3\/2008\/03\/07\/post_name\/","title":{"rendered":"Las peores cifras de ventas del NME"},"content":{"rendered":"<p>\tSeg\u00fan cuenta hoy The Times, el <strong>New Musical Express<\/strong> <a href=\"http:\/\/entertainment.timesonline.co.uk\/tol\/arts_and_entertainment\/music\/article3497298.ece\">nunca ha vendido tan poco<\/a>. La gente de dentro del superviviente semanario es pesimista respecto a su futuro debido a la dura competencia de otras publicaciones online y la inextencia de una escena de m\u00fasica udnerground que encesite de una plataforma como fue el NME, una publciaci\u00f3n que la d\u00e9cada pasada se comi\u00f3 a su competidor, el <strong>Melody Maker<\/strong>. Hoy por hoy est\u00e1n vendiendo 64.000 ejemplares cada semana, que a m\u00ed me parece una cantidad descomunal, pero para ellos es una gran crisis en sus 56 a\u00f1os de historia. <\/p>\n<blockquote><p><em> Since the invention of youth culture in the 1960s, each generation of British teenagers has grown up feeling that they owned NME and the bands inside. It is a fairly intense and obsessive relationship that tends to end with a messy split over musical differences around the age of 25. Former readers then become like embittered ex-spouses, forever recalling a rose-tinted Golden Age of rock journalism.<\/em> <em> Of course, the multimedia \u201cbrand platform\u201d that constitutes today-s NME is far removed from the inky, prickly, wordy weekly that my generation grew up loving and loathing in the 1980s. The monochrome weekly magazine of my youth was mouthy, pretentious, political and packed with occult knowledge. It was like a deviant careers advisor, the hip young gunslingers of London calling to faraway towns. NME gave me my first and only real job. <\/em> <strong> Stephen Dalton<\/strong><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>Seg\u00fan cuenta hoy The Times, el New Musical Express nunca ha vendido tan poco. La gente de dentro del superviviente semanario es pesimista respecto a su futuro debido a la dura competencia de otras publicaciones online y la inextencia de una escena de m\u00fasica udnerground que encesite de una plataforma como fue el NME, una [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-1212","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/www.elenacabrera.com\/weblog3\/wp-json\/wp\/v2\/posts\/1212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.elenacabrera.com\/weblog3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.elenacabrera.com\/weblog3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.elenacabrera.com\/weblog3\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.elenacabrera.com\/weblog3\/wp-json\/wp\/v2\/comments?post=1212"}],"version-history":[{"count":0,"href":"https:\/\/www.elenacabrera.com\/weblog3\/wp-json\/wp\/v2\/posts\/1212\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.elenacabrera.com\/weblog3\/wp-json\/wp\/v2\/media?parent=1212"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.elenacabrera.com\/weblog3\/wp-json\/wp\/v2\/categories?post=1212"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.elenacabrera.com\/weblog3\/wp-json\/wp\/v2\/tags?post=1212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}